Dominique Gonzalez-Foerster, Panoramism and the Abstract Sector, 2022, Permanent Loan Collection KiCo, © VG Bild-Kunst, Bonn 2025, Photo: David Ertl

Space for Imaginative Actions

The presentation takes a comprehensive look at the collection of contemporary art, which is presented anew from different perspectives in twenty rooms. In addition to painting, installations, film and photography can be seen. The exhibition includes works that are important for the profile of the collection along with new acquisitions, gifts and loans from private collections. It combines monographic and thematic groups of works from Sigmar Polke to Monika Baer, from Tamara Grcic, Shannon Bool and Norbert Schwontkowski all the way to John Bock.

A complex pathway arises for encountering the works: Outside and inside spaces can be walked into, are measured cartographically, are opened into uncertain interiors; the body is declared to be a battle zone; faces transform themselves into masks, the self plays various roles. Painting reveals itself to be tangled texture and smooth surface, orderly and disorderly overlapping, an alchemical mixture of exoticism and popular culture. Materials engage in extended discussions, photographic series gather the world into flexible repositories, painting and photography investigate the simultaneity of the clear and the unclear. The museum becomes a “space for imaginative actions” (Albert Oehlen).

WITH WORKS BY (SELECTION):

Adam Adach, Horst Antes, Monika Baer, Bernhard Johannes und Anna Blume, Reto Boller, Shannon Bool, Ulla von Brandenburg, Michael Buthe, Christo und Jeanne-Claude, Ger Dekkers, Thomas Demand, Andreas Gefeller, Gregor Gleiwitz, Dominique Gonzalez-Foerster, Tamara Grcic, Anton Henning, Charline von Heyl, Maximilian Kirmse, Jürgen Klauke, Imi Knoebel, Michel Majerus, Rune Mields, Susanne Paesler, Blinky Palermo, Alexandra Ranner, Erich Reusch, Gerhard Richter, Ulrich Rückriem, Tomás Saraceno, Felix Schramm, Kristina Schuldt, Norbert Schwontkowski, Rosemarie Trockel, Mark Weggemann und Thomas Wrede.

TRANSPARENT MUSEUM

Whose voices are heard in the museum? What different perspectives do museum staff bring to a work of art?

Whether in the technical workshop, managing collection storage, or planning exhibitions: as museum employees, we all engage with art and develop personal connections to it that go beyond purely art-historical interpretations. These individual perspectives take center stage here. In the middle of the room, selected works from the collection are displayed, each linked to specific stories and memories.

The presentation changes regularly, continually highlighting new narratives and perspectives. The final chapter of the ‘Transparent Museum’ is dedicated to our museum attendants. Four colleagues speak about complex art installations, encounters with artists, and their responsibility towards our artworks and visitors.

To the Digital Guide

Installation view „Space for imaginative actions“: Reto Boller, A-04.3, 2004, Permanent loan Collection Mondstudio; Markus Weggenmann, Untitled, 2005

COLLECTION IN MOTION

In 2024-2025, the Kunstmuseum Bonn has received a new lighting system that is more energy-efficient in terms of sustainability and can be easily adapted to conservation conditions. In the course of the remodelling, blocks of rooms have been successively closed and then reopened with new room-filling installations.

Anton Henning: Interieur No. 681, consisting of: Maurice Landschaft, 1977, Untitled, 2004, Interieur No. 633, 2022, Portrait No. 187, We Are Shown The Path Taken By Truth No. 3, 2022 and Interieur No. 641, 2022, © VG Bild-Kunst, Bonn 2025, photo: David Ertl

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